Individually, or in combination, words have the power to evoke a range of human emotions: joy, humor, fear, grief, hope, love… That power, and how our interpretation of words, texts, and phrases changes according to our circumstances interests me. In the time of covid was conceived during the initial months of our quarantine.…
Read MoreHurtling towards the future, a new day, a new year filled with hope and light in 2021. To all the readers, artists, contributors of The Pandemic Lens, I wish you a safe, happy, and healthy New Year ahead! Copyright © 2021 Steven Edson Steve EdsonThe camera works to document the external, but more…
Read MoreWhen we first began sheltering in place, I stocked up on essentials. I focused on helping family members manage (especially my then 15-year-old daughter and my elderly mom). And then I figured I’d settle into a routine in my studio. Many of my friends were switching into overdrive, devoting uninterrupted hours to making art, and…
Read MoreOn March 15, 2020, we learned that our studios would close because of COVID-19. We had one day to go in and collect what we needed, but for how long—no one knew. I grabbed my sewing machine, various fabrics, yarns, wires, glue and other collage materials. My dining room table became my pandemic studio. It…
Read MoreIn March, at the beginning of the pandemic, I felt a strong urge in my bones to start hoarding food. As I contemplated the packages holding the food that would feed us in a time of need, their design and meaning became more interesting to me. I began working with my empty paper food cartons…painting…
Read MoreEmpty Spaces is an archive of this historic time and my reaction to it, but it is also an archive of my history and how it began to leak through my bones as I sat alone for months. I am a photographer, production designer and filmmaker—the common thread is that I am a collaborative artist.…
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